March 2006 Archives

buckowens.jpg

Saturday night before I went onstage with Jeff Rachall to open for Jeff Bates at Roper's in Bossier City, we learned that Buck Owens had died.

I grew up watching Buck on Hee Haw. Between his cutting edge songs, and Roy Clark's blistering virtuousity, my world was filled with a certain kind of country music. Music that didn't compromise, that stood for something, that talked about real people and real times, and was absolutely, unequivocably NOT disposable.

Buck Owens was the real thing. Perhaps too real for Nashville. Perhaps too real for folks wearing designer cowboy boots in Manhattan. Moreso even than Elvis or Johnny Cash (who seemed to have almost otherworldly personas at times), Buck Owens (and with him, Merle Haggard) represented to me the penultimate in what I wanted to achieve as an "artist" --- songwriting, excellent musicians alongside who also appeared to be your friends (to me, it's a toss-up whether the Buckaroos or the Strangers were the best band ever in country music --- that's Country, as opposed to Western Swing or Bluegrass), personal integrity and a willingness to talk about things that meant something to you, as opposed to what people wanted to hear.

Jeff Bates said a few moving words about Buck from the stage once they went on, and his bass player sang a wonderful version of "Together Again."

We typically played "Love's Gonna Live Here Again" as part of our repertoire, and talked briefly about adding it to our opening set as a tribute. To me, that would have given us not only a bit of credibility (because country music is about, if nothing else, knowing and acknowledging your and its history as integral parts of who you are), but also would have shown some respect, and some class. But then again, we played it, I think, because it was on Daryle Singletary's album, not because we as a band really learned anything from the past. That lack of connection is one of the reasons I'm no longer playing with Jeff Rachall. We didn't play "Love's Gonna Live Here Again" Saturday night. Enough said there.

Thank you, Buck Owens, for taking Wynn Stewart's vision and making Bakersfield important to country music. To American music, which is what you and I both prefer to call it.

You are sorely missed.

Rest in Peace: Buck Owens

Some Kind of All American

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When this life of mine is over, if it's been of any worth
Royal Oak can lay a claim as the place of my birth,
and where my ash is scattered they may choose to put a plaque;
the rest is just conjecture unsupported by the facts.

When you say you're from somewhere, does it mean just recent years?
How can you call one place your home if throughout your career
the most you've settled down is long enough to catch your breath,
and write a song or two about the place that you just left?

I could say I'm from Michigan, but that was long ago;
or from outside a farming town in northwest Ohio;
and those years in California where I played my first show
surely count for something meaningful, but sometimes, I don't know...

It seems more truthful to just say I am
a product of each new place where I stand:
some kind of all-American.

I learned to love the outdoors on that farm for seven years;
spent high school out in California, starting my career;
But my roots are bent and twisted, they don't lead any one place,
what you hear in my voice is not reflected in my face.

I'm German, Swiss and Irish, but the only thing that means
is that mountains and pastures are both buried in my genes;
the sea, wild rivers and lakes are there, too.
Not one set of geography will do.

In the South, they call me Yankee;
In the North, they call me hick;
maybe somewhere in the middle,
there's a label that might stick.
In the East, they say I'm laid back;
In the West, far too high-strung;
but it doesn't really mean that much
when all is said and done.

I could say I'm from Boston, but just for those years in school;
or Memphis, where I learned the difference between hip and cool;
Seattle, where I reconnected, strangely, to my past,
or New Orleans, where I discovered my true love at last

It seems more truthful to just say I am
a product of each new place where I stand:
some kind of all-American.

27 MAR 2006

Confucious

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The words that rend my soul's speech are my own;
they are not borrowed from another's lines.
From someone else's field, of their seeds sown,
come not the fruits due me at harvest time.

To posit otherwise is to admit
my life only an actor's walk-on role,
with no responsibility or wit
of my own --- no true joy, love or control.

So, each new moment becomes mine to make,
immersed in self-wrought ecstacy or hell.
How then, to keep from making more mistakes,
or at least, to recover from them well?

The secret: admit what you do not know.
From that small bit of knowledge, all things flow.

21 MAR 2006

A Song Worth Singing

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"People only want to hear
the few songs that they know."
That's what some will tell you
drives live bands and radio:
the lowest common factor
in the drunkest, toughest crowd
who only care to listen
if it's familiar and loud.

"People have no interest in
songs they've not heard before.
The same old sound is what's been found
to get 'em past the door.
There no use playing anything
that they don't want to hear,
because your job is not much more
than selling lots of beer."

But hey, they've got a jukebox over there
that works much cheaper, and won't really care...

If the song is worth the singing, if the words mean something strong
If the second time you hear it you might want to sing along
If the people that you're playing for aren't worth that something more,
Then please tell me, what am I still writing for?

"People only come to see
an entertaining show;
so that's what we provide them,
then we pack up and we go.
Yeah, we'll play what we want to,
someday, when our name's in lights;
but until then, we'll give 'em what
they think they want tonight."

But hey, the jukebox can play all the hits;
live music's got to have much more to it ...

If the song is worth the singing, if the words mean something strong
If the second time you hear it you might want to sing along
If the people that you're working for aren't worth that something more,
Then please tell me, what are you still playing for?

20 MAR 2006

Something I Can Feel

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This bar's got a jukebox; for a quarter, you can hear the latest big-time songs;
there's no need to book live entertainment if all you want is just to sing along.
Yes, I'll take requests, but not too many; don't be hurt if your favorite's not on queue.
I know a lot of numbers, but to tell the honest truth, there's only certain kinds of songs I'll do.

It's gotta be true to who I say I am;
if it's gonna make anyone listen or give two fifths of a damn;
It's gotta be straight and speak from the place I know;
if it's gonna be worth the money that it costs to see the show;
It's gotta be more than some old line that builds up crowd appeal;
It's gotta be saying something I can feel.

There's not much reason for seeing live music if all you want to hear is someone else.
You're better off just cranking up the jukebox; it sounds much better than I can myself.
Sometimes it's those old songs not in rotation that touch you, when the band begins to play;
it creates something that's real, not imitation, and it offers so much more than some DJ.

And if you don't know what you're asking
when you ask me to perform
like a chicken on a barbwire stage
who'll dance when it gets warm,
then it doesn't really matter what I'm singing anyway.
You just sit back there and listen; I'll decide what songs to play...

It's gotta be true to who I say I am;
if it's gonna make anyone listen or give two fifths of a damn;
It's gotta be straight and speak from the place I know;
if it's gonna be worth the money that it costs to see the show;
It's gotta be more than some old line that builds up crowd appeal;
It's gotta be saying something I can feel.

'Cause if it don't mean nothing to me
then what am I singing for?
There are better ways to get by
than a percent of the door ...

It's gotta be true to who I say I am;
if it's gonna make anyone listen or give two fifths of a damn;
It's gotta be straight and speak from the place I know;
if it's gonna be worth the money that it costs to see the show;
It won't ever be really good, if it's not something real.
It's gotta be saying something I can feel.

19 MAR 2006

Come Out to the Cherokee

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Sometimes, it's the craziest little line that starts off a whole chain of thinkin'. This one, of course, is not based in reality whatsoever; but it does beg the question ... when IS that Jeff Rachall website going to be updated?

You think that I'm lying when I say I'm in a band;
this going out all weekend, you say you don't understand.
And furthermore, you've searched the 'Net but never found a trace
that proves beyond a doubt that I'm not lying to your face.

It's not another woman, or some poker game I'm in;
it's not long nights of drinking, contemplating ways to sin.
I know that country music's not your favorite cup of tea;
but for our sake, so you'll believe, please do this thing for me:

They won't put my picture up on the group's new website,
so I can't prove I'm in the band if you're not there tonight;
Come out to the Cherokee, where I said we'd be 'til two;
then you'll know my word is good and I've not been untrue.

You think that I'm lying about playing songs all night,
and worry that I'm straying as soon as I get out of sight.
I've tried hard to convince you that my word on this is true;
but there's only one way I know to prove myself to you:

They won't put my picture up on the brand new website,
so I can't prove I'm in the band if you're not there tonight;
Come out to the Cherokee, where I said we'd be 'til two;
then you'll know my word is good and I've not been untrue.

17 MAR 2006

If You Want Love

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My father was an upright man who never went to church;
but he gave his word and that was that, he'd help you from a lurch.
He hated all self-righteousness and practiced what he'd preach;
when I asked him what made the good life he'd give me this speech:

Live as if there's no hereafter if you want a Heaven here on earth;
Spend as if it's your last dollar if you want to get your money's worth;
Act like everyone knows something that it might be worthwhile to learn;
Love as if the world is ending if you want love in return.

My father died ten years ago; we laid him in the ground.
I don't think anyone expected he'd be Heaven-bound.
When I think back on how he lived, I have to crack a smile
imagining their faces when they look in his file
and it says:

Live as if there's no hereafter if you want a Heaven here on earth;
Spend as if it's your last dollar if you want to get your money's worth;
Act like everyone knows something that it might be worthwhile to learn;
Love as if the world is ending if you want love in return.

Someday may be good enough for some folks, he would say;
but if you want to change the world you'd better start today ...

Live as if there's no hereafter if you want a Heaven here on earth;
Spend as if it's your last dollar if you want to get your money's worth;
Act like everyone knows something that it might be worthwhile to learn;
Love as if the world is ending if you want love in return.

17 MAR 2006

Stretched at the Seams

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I'm living in a small, rural town again. It may have a university campus smack dab in the middle of it, but face it: Natchitoches, Lousiana is not a center of urban sprawl.

I've lived in small rural towns before. Hell, I spent 2nd through 8th grade 15 miles outside of one with a population of less than 8,000 (and even had the audacity, at 36, to move back). I like living in the middle of nowhere, geography-wise, and privacy-wise. But I have to tell you, if I were using either John Cougar Mellencamp's "Small Town" and Jason Aldean's "Hick Town" to describe my experience, I'd be a stone-cold liar --- although there is a grain of truth in both of these paeans to Smallville. Robert Frost's "Mending Wall" is a lot closer to my truth. Closer even than Springsteen's "Nebraska". Maybe country living has changed, though. I said the other day that Aldean's song seemed to be missing anything about putting M-80's in mailboxes and tipping cows. And it certainly doesn't speak to my experience with tractor training, 4H and FFA.

I guess the difference is living outside a small town, versus living in it. There was always a big difference between the country kids (like me) and the townies. Inside the city limits, any borough can seem confining, structured, staid, stilted, stuffy ... a place where young people feel limited by the expectations placed on them by their elders and peers. On the farm, I never really had too much time for that kind of contemplation --- there were chores, long bus rides, acres and barns to explore, fish to catch.

Of course, a lot of people I know who are from small towns have never set foot more than 50 miles from where they were born. And often, that natural insulation (and isolation) from the rest of the world is cemented and augmented by the institutions in which so many of us are indoctrinated from birth --- churches, schools, social clubs. A lot of folks, in that kind of environment, do grow up to be on the outside just like their parents, just like their neighbors. Some of 'em are happy doing it. Many, though, it seems to me, are only happy on the outside. You can tell it in the way they talk about the government. Or foreigners. Or even just people from the next town over.

But I reckon it's not just a small town thing. It's a people thing. You either take responsibility for your own life, and get busy living it, or you are, quite bluntly, just killing time waiting to die. Most folks choose the former, and become wonderful parents, friends, spouses, lovers and business partners. But a few seem resigned to, and even rejoice in, their unhappiness --- they say, "what this town (or country, or world) really needs is a ..." and wonder why somebody else hasn't done it. They're starving for change, for growth, for individuality and a life outside the box, and simply don't feel it's their place to change, grow or step outside the establishment's door. Granted, there are repercussions for those brave souls who do challenge the status quo, even in the smallest of ways. You do get talked about behind your back. You will get worse service at the grocery store. You may not get a decent table at restaurants. You may even have bricks thrown through your window, or crosses burnt on your lawn. You certainly will be going to Hell, one way or another -- at least that will be the consensus of opinion, even among your own relatives.

Country or city, it seems like the most frequent thing you hear is "don't get above the roots of your raisin'." That's like getting too big for your britches, I guess. But it seems to me that if all a plant ever has is roots, if it never breaks the soil and stretches out for the sun and makes, heaven forbid, a statement of its own potential --- and that potential may be as a fruit, nut or vegetable (LOL) --- then no matter how good the roots are, they haven't done their job. They're the foundation, and the source of nourishment and balance, but they are NOT the end product. Each vine and branch have their own path to follow, their own song to sing.

All that being said, I wouldn't trade small rural town living for the metropolis. I've seen enough of big cities (on both coasts and in foreign countries) to know that urban existence is not natural. It leads to thinking that oranges come from trucks, and funds studies to prove that mother's milk is the best food for infants, or that cheese is the best bait for a mousetrap. It creates country music that doesn't have a damn thing to do with the flyover land between the Holland Tunnel and the San Andreas fault. It's proud that only 5% of its population has to actually touch dirt for a living.

The friends that I've made in small towns are closer friends than those I've made in the city. Sometimes I wonder about their ambitions to get out to the "big town", though. I don't fault them for that dream, but have to filter it through my own experience. It ain't what it's cracked up to be.

I'd rather be a big fish in a small pond, than a wee little minnow in the ocean that is big city living. Give me the limitations of small town reality over the lunatic fantasy of the big city any day. I know ya'll ain't gonna believe me, if ya haven't lived it yourself, but life under the Hollywood sign ain't all that and a bag of chips.

Peace, ya'll.

Lend a Hand

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for Natalie Maines

They say East is East, and West is West, the two will never meet;
when you see something new coming, cross to your side of the street;
never question why things happen, that's the way it's always been;
higher walls make better neighbors: you'll hear it time and time again.

They say truth is small and finite: you can hold it in your hand;
anyone who tells you different is just selling worthless land;
that the lines are clearly drawn between what's right and what is wrong,
and you can't fight City Hall, so you had better play along.

But this life is like an ocean: what I know won't fill a pail;
and it's nobody's fault but mine if I should try and fail
to grow beyond my roots and find my own place in the sun,
seeking truth where it is hidden in each moment's fleeting run;

and the longer that I travel, seems the less I seem to know;
it's by facing that uncertainty I learn how to love and grow.
There's no secret to the universe, no single grain of sand:
you just do your best, and try to lend a hand.

They say everything is set in place, your fate completely sealed;
there's no bargaining with destiny once you ante for the deal;
never question that the rules ensure that each of us will lose,
simply get to where you're going, shut your mouth and pay your dues.

They say my way, or the highway, do exactly what you're told;
don't look to the horizon, 'til you're doddering and old;
each of us has got a purpose in someone else's grand plan,
and it's not for you to say what makes a man.

But this life is like an ocean: what we know won't fill a pail;
and it's nobody's fault but ours if we should try and fail
to grow beyond our roots and find our own place in the sun,
seeking truth where it is hidden in each moment's fleeting run;

and the longer that we travel, seems the less we seem to know;
it's by facing that uncertainty we learn how to love and grow.
There's no secret to the universe, no single grain of sand:
you just do your best, and try to lend a hand.

14 MAR 2006

Songwriter Blues

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A songwriter walks on the slimmest of threads
to balance what's in his heart versus his head;
sometimes, random thoughts will inspire him to sing
words that aren't about his life or any damned thing.

Emotions in motion, a mood for a day,
the lines on the page don't relate any way
to the life he's living and good things he's found;
sometimes in the looking glass things get turned 'round.

A song's inspiration can come from nowhere:
a phrase from a movie, the shape of a chair;
from someone singing the line as you write
imagining your song is their song tonight.

Your loved ones imagine you're talking of them,
and take your songs personally, now and again;
they don't understand it just don't work that way,
and feel hurt no matter what else you can say.

Sure, my life is in every song that I write,
some more and some less, some real heavy, some light;
but I'm not my lyrics, my poems or verse.
I work in third person, for better or worse.

A song about leaving don't mean I must go;
one that says I'm brilliant does not make it so.
I've got songs from good times, and others from bad,
and some drawn from thoughts someone else might have had.

A songwriter balances truth with a dream,
and finds hell and heaven, and points in between
where honkytonk angels and demons are poised
to drown out his voice with the tiniest noise.

05 MAR 2006

How Many Times?

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for Johnny Cash

How many times must I repeat
the same old tired line?
How many times can this old heart
be broken and be fine?
It doesn't take a genius to opine
the odds are bound to take a sharp decline.

How many times must substance
take a backseat behind style?
How many times can a good man
walk down that extra mile?
The calculations need not take a while;
no need to note an entry in some file.

It doesn't mean that I don't love you,
but I'm getting tired
of waking up each morning
feeling old and uninspired;
There's just an empty feeling
in my heart that's like a hole,
and a longing for something that's
out of my control.

How many words should be too many
spoken out of turn?
How many matches must we strike
before we start to burn?
It doesn't take a brilliant man to learn
the law about diminishing returns.

How many lies will we both tell
before we face the truth?
How much of careless, foolish love
is wasted in our youth?
It doesn't take too much to find the proof
that some foundation must hold up the roof.

It doesn't mean that I don't love you,
but I'm getting tired
of waking up each morning
feeling old and uninspired;
There's just an empty feeling
in my heart that's like a hole,
and a longing for something that's
out of my control.

05 MAR 2006

Wide Open Road

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For some reason, I'm in a shit-kicking mood today. All my ducks are in a row, and I'm feeling my oats. Could be because it's a beautiful warm spring day with a slight breeze and plenty of sunshine. Could be because it's Friday. Could be just because.

Anyway, here's a song I wrote about being your own man, finding your own road, and not listening to any crap along the way. What's that Jeff Bates says? If you don't feel like turning it up, it's not a real country song.

WIDE OPEN ROAD any direction I choose
Shakin' off this town like an old pair of shoes
Like my old man told me, you've got to use it or lose
And if the man don't call you brother,
don't give him your membership dues

WIDE OPEN ROAD and no kind of a plan
Shakin' off these blues like I don't give a damn
Just like my wife done told me, you've got to get it in gear
And if you've got no direction,
better bring it on back here

Two lanes is all I need, the right to cruise or to pass
Don't need no big city news, don't bother shakin' your ass
You can tell my friends I'm trying to lighten my load
They can find me out there somewhere on the WIDE OPEN ROAD.

WIDE OPEN ROAD with nothing blocking my sight
Shakin' out of my skin, just like I told you I might
Just like some folks try to tell you, they say you've got to keep your place
Well, if you feel like you're under the wheel,
there ain't no smile on your face

WIDE OPEN ROAD and nothing out there for miles
Shakin' off my past like I was shredding my file
Just like the old man told me, sometimes you've got to move on
And you can give better answers
if they show up and you're long gone.

Two lanes is all I need, the right to stop if I choose
Don't try to slow me down with your big city news
You can tell my friends I'm trying to lighten my load
They can find me out there somewhere on the WIDE OPEN ROAD.

Spring 1998

A Hillbilly Song

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To you the distinction might sound a bit silly
But I'm not a redneck, I'm an old hillbilly:
Brought up on the green rolling range of the greater midwest.

On 4H work projects and chores in the morning,
long thunderstorms coming up without a warning;
the FFA and those blue ribbons pinned onto my chest.

Fried chicken and taters, homemade jam and bread;
enough sense to not let it go to my head;
an honest wage for a day's work - woman, girl, boy or man.

Miles stretched out in corn, soybeans and winter wheat;
long underwear, overalls and bare feet;
for piano and guitar lessons, you pay what you can.

Blue collar hand-me-downs and hands always dirty;
work well past sundown and up at 5:30;
good dogs and good food and good times at the swimming hole.

Guitars tuned right, and strong voices together;
harmony tight, shoes of worn out old leather;
gospel and bluegrass and country and good rock and roll.

To you the distinction might sound a bit silly,
but I'm not a redneck, I'm a damn hillbilly;
not looking to fight, just be happy and do my own thing.

Hills, creekbeds and valleys, fishponds and stone lanes;
your word as your bond and expecting the same;
and sound from the ground at your feet when you start in to sing.

3 MAR 2006

  • Another Legend Gone: Buck Owens RIP March 27, 2006 1:16 PM: Saturday night before I went onstage with Jeff Rachall to open for Jeff Bates at Roper's in Bossier City, we learned that Buck Owens had died. I grew up watching Buck on Hee Haw. Between his cutting edge songs,...
  • Some Kind of All American March 27, 2006 11:51 AM: When this life of mine is over, if it's been of any worth Royal Oak can lay a claim as the place of my birth, and where my ash is scattered they may choose to put a plaque; the rest...
  • Confucious March 21, 2006 5:16 PM: The words that rend my soul's speech are my own; they are not borrowed from another's lines. From someone else's field, of their seeds sown, come not the fruits due me at harvest time. To posit otherwise is to admit...
  • A Song Worth Singing March 20, 2006 10:56 AM: "People only want to hear the few songs that they know." That's what some will tell you drives live bands and radio: the lowest common factor in the drunkest, toughest crowd who only care to listen if it's familiar and...
  • Something I Can Feel March 19, 2006 10:46 PM: This bar's got a jukebox; for a quarter, you can hear the latest big-time songs; there's no need to book live entertainment if all you want is just to sing along. Yes, I'll take requests, but not too many; don't...
  • Come Out to the Cherokee March 17, 2006 10:56 AM: Sometimes, it's the craziest little line that starts off a whole chain of thinkin'. This one, of course, is not based in reality whatsoever; but it does beg the question ... when IS that Jeff Rachall website going to be...
  • If You Want Love March 17, 2006 10:36 AM: My father was an upright man who never went to church; but he gave his word and that was that, he'd help you from a lurch. He hated all self-righteousness and practiced what he'd preach; when I asked him what...
  • Stretched at the Seams March 14, 2006 1:05 PM: I'm living in a small, rural town again. It may have a university campus smack dab in the middle of it, but face it: Natchitoches, Lousiana is not a center of urban sprawl. I've lived in small rural towns before....
  • Lend a Hand March 14, 2006 10:19 AM: for Natalie Maines They say East is East, and West is West, the two will never meet; when you see something new coming, cross to your side of the street; never question why things happen, that's the way it's always...
  • Songwriter Blues March 5, 2006 6:48 PM: A songwriter walks on the slimmest of threads to balance what's in his heart versus his head; sometimes, random thoughts will inspire him to sing words that aren't about his life or any damned thing. Emotions in motion, a mood...
  • How Many Times? March 5, 2006 1:36 AM: for Johnny Cash How many times must I repeat the same old tired line? How many times can this old heart be broken and be fine? It doesn't take a genius to opine the odds are bound to take a...
  • Wide Open Road March 3, 2006 1:38 PM: For some reason, I'm in a shit-kicking mood today. All my ducks are in a row, and I'm feeling my oats. Could be because it's a beautiful warm spring day with a slight breeze and plenty of sunshine. Could be...
  • A Hillbilly Song March 3, 2006 2:34 AM: To you the distinction might sound a bit silly But I'm not a redneck, I'm an old hillbilly: Brought up on the green rolling range of the greater midwest. On 4H work projects and chores in the morning, long thunderstorms...